sional records debut on vinyl with it s first 12 inch various artists featuring 5 artists, each one representing different shapes of techno, expressing their own sound in this release.

key selling points the chorus: that moment where everyone connects and participates in unity. a moment anyone whos shared a dancefloor can recognise whether its a festival arena, subterranean dark room or an illegal rave in a field, warehouse or any abandoned canvas between… like the ones colognes julian stetter has come from. inspired by subversive communities, all pulling together for a greater cause, his background in underground parties can be felt in everything hes done so far: his work with the ancient future now label, his vast imaginative techno constructions and now his work with jennifer cardinis long-standing community correspondant with the widescreen odyssey that is ‘chorus six slices of evocative narrative-rich electronic soul inspired by his on-going international experiences on the road, loaded with poignant introspection, thunderous rumbles and playful theatrics, the ep is bookended by two versions of ‘chorus, a vision of scorching hope and lift that can seize a full floors attention in seconds and full live up to the tracks title, message and meaning. by far julians most significant solo ep to date, this is a moment for us all to connect and participate. join in if you know the chorus

on this split ep, two-heads project minimum syndicat is back again with its own special brand of hard acid music, mixing authentic rave influences and modern industrialish techno to reach this state of dark euphoria who became its trademark. this time, their guest is the famous irish producer sunil sharpe, another figure not known to make any compromise... he delivers two severe cuts of techno and electro full of raw energy, with a sinister vibe reflecting the dirty clubs and warehouses where this music is supposed to be played.

originally a heavy metal drummer, bård aasen lødemel aka skatebård, got into techno and rave during the 90s. hailing from a small town called Ørsta on the norwegian west coast, lødemel moved to bergen where he quickly became part of the student town s growing club scene. after handing over a homemade demo to tellé records label boss mikal telle, lødemel got signed to tellé offshoot label tellektro in 2001. his first release under the name of skatebård, a 12- mini album called -skateboarding was a crime (in 1989)- was released in 2002, and skatebård s reputation as an excellent techno/electro producer started to spread beyond norway s borders. since then skatebård has gone on to release on labels such as sex tags mania, radius records, supersoul recordings, keys of life finland, luna flicks, totally as well as his own digitalo enterprises. -skateboarding was a crime (in 1989)- was pressed in a very limited edition and sold out quickly. since then it has been a desired object for record collectors and techno and electro aficionados around the globe. now the time has come to make the mini album available again, something this true masterpiece really deserves.

all the classics from this legendary belgian label combined on this limited boxset!

donna steaks are the world s greatest tracks - and i mean that in every sense of the word. these tracks are, by far, the best sounding, most flavorful rave you ve ever had - truly in a league of their own. treat yourself to the very, very best life has to offer. one beat and you ll know exactly what i m talking about. believe me: i understand rave. it s my favorite sound. and donna steaks are the best.

musics favourite robotic pair receive an uncompromising, post-rave rework from the london dj, signalling their already fearsome the brainwasher in weirder directions still. on the flip, legendary pianist and entertainer gonzales finds his tinkling/rapping combo never stop transformed into a very analogue, jackin club tool built around his tongue-in-cheek spoken verse.

located somewhere between australias interior and the white beached coasts of the mediterranean, the two tracks presented here reality change and cool waters are a hybrid kind-of chaos between futurism and rave nostalgia. inspired by the climatic shifts imposed by a modern trans-hemispherical lifestyle and characterized by more energetic tempos and repetition, p.m.t.c. focuses the attention on the smaller differences, while retaining some of the playful melodies and euphoric sound palette that emits that comfortable warmth, which has become a trademark on both fantastic man and superconscious records

kamoda’s latest offering, ‘the distorted haunted ballroom ep’ offers three fresh tracks from the colourful artist - body & soul, ( ( (bye) ) ) and dopey forests - a tripped out, twisted journey.
a man of many talents, jun has produced art under his illreme moniker, as member of hip hop trio, baleine 3000, and as cartoon illustrator (usca.) his forays into music have lead to work with revered global labels, think mister saturday night, black acre, mall grab’s steel city dance discs and more.
opener and lead track, body & soul is a raucous jam. killer, frenzied percussion, short riffs and vibrant erratic trumpets fuse industrial elements with far-flung balearia, teasing between warehouse rave and rainforest ravine.
second track ( ( (bye) ) ) is a hazy, hypnotic cut, body & soul’s wild elements rolling into a tug of war between arcadian bleeps and lawless euphoria.
dopey forests offers up a less frantic but still slamming dance floor ready slice of dreamlike vocals paired with driving percussion. a mesmerising, final jaunt to round out ‘the distorted haunted ballroom ep’ with an ethereal, spooky stomp.

as one of fuse s original residents, rich nxt played a major part in the brand s evolution, helping take it from that sunday morning afters to being one of the most respected event brands and labels on the planet ever since the age of 10, rich nxt has been involved in creating his own music. thanks to his early training as both a drummer and keyboardist, nxt has an inherent musicianship fully apparent in his sound and style of production. taking influence from the london rave scene of the early 90s spanning drum n bass and jungle and later the minimal and tech-house scenes of europe, nxt s output found a platform on the now world-class fuse london label (launched in 2011). a core artist for the label, with five solo eps and a collaboration alongside seb zito, rich nxt has been integral to fuse s trademark sound with his debut ep bristle and quixotic ep two of the labels defining moments. nxt and zito s chemistry in the studio is clear with a further two collaborations on fuse sister label infuse. alongside his own productions, nxt s remix catalogue includes seb zito s never with enzo siragusa and his original breakthrough remix of jon maker s seeker , which was championed by tini and many other leading djs in the minimal house scene. by the end of 2016, a residency at amnesia ibiza with hyte x fuse alongside dates at off week in barcelona and several stand out events on fuse s 8th birthday tour including an epic after hours set at berlin s hoppetosse proved nxt is on top of his game. nxt also launched his own imprint nxt records that year, another platform for his own consistently quality output. several releases down the line, nxt s distinctive style layered with intricate percussion, obscure synths and ethereal pads combined with punchy snares and atmospheric vocals is marking out the producer and label as a prime source for djs and vinyl lovers. 2017 sees the launch of a second vinyl only imprint what nxt, a home for musical discoveries that end up buried deep in his own record bag. featuring both emerging talent and established artists from the uk and beyond, what nxt? all roads lead to the rave.

captain derek carr joins into the deep forces through its third intergalactic journey. the gifted man is well known for his unrivalled sound incursions in the early 00 s. in command of the expedition, derek unveils a classy 4 titles ep blending his detroit-influenced trademark sounds, lush synths, electro syndrome & droning basslines. it results in a futuristic journey by convoying us to a rave somewhere on mars before the dawn.

x-coast embarks on the eighth expedition into the exotic lands of palm trees and blue skies with the ‘yucatan channel’ ep.
expedition eight features three jams packed full of emotional breakdowns, rave samples and thrashing synth patterns accompanied by a&#8203,, remix from previous release&#8203,, artist dj boring.

a diverse techno e.p, each track suitable for a specific time, place & audience.
everything’s possible, nothing has to be, probably best describes the current selection. while artik brutally transforms the industrial into the techno format, chris moss acid and spaceinvasion ride the 303. the former combines analog-synths with repetitive peaktime-techno, while spaceinvasion interprets this through a sluggish, yet no less brutal, flow. lastly, lucindo scatters nuances of trance. rave!

dive-bar turned record label paradise palms presents a brand new 7inch from veteran producer justin robertson, a man with over 23 years experience as an innovator and restless proponent of fascinating forward-thinking music. his tireless work ethic has ensured that he remains one of the most relevant and exciting dj/producers around, as a whole new generation of electronic enthusiasts will sweatily testify. justin s latest incarnation as the deadstock 33s has been garnishing lavish praise from figureheads such as andrew weatherall and erol alkan, as well as a diverse cross-section of fresh talent, from daniel avery to eats everything. cyborg holiday snaps is a double-whammy 7inch of alien machine funk crafted by the rave pilot himself. the titular track launches head&#64257,,,,rst into hissing electro territory with pounding rhythms and detroit-strength bass stabs, while numerical discord is a low-slung 110bpm acid weapon.

contemporary italo-disco and foggy rave culture mark margots first 12inch on life and death, amore a bordo pista - a welcomed surprise. machines breathe on a1, where throbbing synth-bass meets timeless vocoder, as premiered on dj tennis essential mix debut. the afterparty and warehouse meld on the flip, a mind-bending time-warp - somewhere between panic and introspection. technicolour signee, dauwd, aces his re-depicton of the title track, hinting at golden-era chain reaction, while kiwi slows down salsce, retaining all of its drive, adding further cosmic brushstrokes. four weapons of the mind, a trippy affair.

leon bailey and joe rossitter aka chromatic have already released music on such respected labels as innerground, true playaz, and commercial suicide. now the chromatic boys have their own solo 12” on dope plates, presenting to you on the 1’s and 2’s three brilliant 90s influenced dancefloor drum & bass, jungle music ... with a hint of hardcore rave thrown in. safe as fuck.

long term friends and artistic collaborators detroit’s filthiest (aka dj nasty) and go nuclear bring their next two electro releases to bass agenda simultaneously. detroit’s filthiest assaults hard with four ferocious dance floor destroyers, showing off both his lifelong passion for electro and his ability to approach production differently from the majority - blending twisted detroit rave hooks with a dose of infectious machine funk. new zealand’s go nuclear return after their very well received techno world debut on bass agenda recordings. this record, their machine learning ep, stays faithful to their love of the old school electro sounds of detroit with 3 tracks of dance floor futuristic funk. the two artists meet here too, with detroit’s filthiest remixing the title track in his usual no-nonsense style.

clark krönt eine weiteres erfolgreiches jahr mit den beiden neuen rave-monstern honey badger und pig, die die rohe dancefloor energie demonstrieren, die clark in den bisherigen 20 jahren seiner warp-karriere so eigen war (und immer noch ist). clark über diese 12inch. these two tracks are my favourite part of the death peak live show. developing them and releasing this 12inch felt essential.

das zweite special request-album von paul woolford knüpft mit 23 tracks und einem multiversum an jungle & rave-sounds, die bis in die frühen 1990er zurückreichen, nahtlos an sein vielgelobtes debütwerk suol music aus 2013 an. und dennoch kennzeichnen überwältigende, atmosphärische klangebenen, offen-modulare systeme und die einführung intensiver soundtrack-fragmente eine konsequente und spannende weiterentwicklung des künstlers auf.

arla iii, like the previous two records in the series, is a culmination of our combined influences. a representation of our memories - both real and false, of uk rave culture. these records have been informed as much by fantasy as they are real memories. the result of us piecing together our experiences of growing up and going out to raves in the welsh countryside

nice price deal !!! finally we made it! after such a long time of cooperation with domenico dagnelli and several attempts trying to put his ideas on vinyl, levelnonzero is presenting the friends ep. it is not just a special release because domenico is a very close friend of pascal & chris, it is also an important release, cause we reach the catalogue number 30. domenico must be known by most of you folks from his work for partysan, rave on snow or electric delicate, but also from a lot of partys, where he was acting as a dj or organizer. up do date for the opening of his new club chaca chaca in munich, we release three tracks of him, wich accrued in cooperation with chris wood & pascal feos.

arvid wretman once again dresses up as everyones favourite rave crooner your planet is next, delivering a stripped down, club-optimized follow-up to last years studio barnhus debut. focusing on minimal elements with maximal impact, the laid back ep ranges from rainy-day acid blues to bill hicks channeling breakbeat choons, all perfected for modern soundsystems by inhouse mixmaster pedrodollar and presented in a gorgeous full colour sleeve designed ypin himself.

ignorance defeating pleasure rave

sciahri and dagdrom are proud to present the fifth installment of their label sublunar records.
the following release is another debut ep, this time by berlin based producer nh.
the ep consists of a selection of four heterogeneous tracks in terms of intensity and mood, and each one being singular for different reasons, but yet coherent by the round-around-the-edges production style they have been executed in their creator’s personal imagery and unorthodox approach to the techno genre.
the warmth and empathy who seem to be the driving force behind noro vanish and leave place to insanity and darkness present and growing throughout lothar. on the flip side, the eponymous track shows a rave-like up-tempo beat being outweighed by the sadness of its melodic elements, until finally in crimson, a quiet and unstoppable force pushing us out of the abyss until we reach the initial point again.

repress, white 7 inch vinyl from rising sun (workshop, real soon, kristofferson).
file under: breakbeat, leftfield, rave, ambient jungle.

following dusky’s ubiquitous ‘cold heart’ ep 17 steps presents kiwi’s ‘marmora’s theme’ ep - the london producer’s debut on the label.
having recently released on tastemaker labels such as futureboogie, correspondent and optimo music, kiwi’s distinctive sound is a physical mix of italo disco, techno and electro influences.
carried by a pulsating italo bassline, lead track ‘marmora’s theme’ is a cosmic epic that rides crisp piano melodies and sci-fi synths - and is already garnering support from gerd janson, dj tennis and annie mac.
transporting the original’s piano euphoria into darker, rave referencing territory, the tuff city kids remix calls on growling reese bass and ’92 hardcore style pianos.
offering some alternative vibes are the deeper, dirgy warehouse grind of ‘oth’ and the beautiful, reflective electronica of ‘reservoir’.

limited old school edition with stamped white label + 12inch sleeve.
mental groove records is ecstatic to announce the release of a collaborative musical effort between spanish producer extraordinaire orbe (hivern discs / analog solutions) and swiss adventurous mental groove label head oliver for a retro / phuturistic 4-for-the-floor e.p. mixing the science of hypnotic analog grooves with the wickedest sounds technique of the warehouse rave days.

volphonie is the new label of chris honorat, resident and creator of the automatik events at the rex club in paris. with a dark and hypnotic music inviting to night-time voyage and introspection, volphonie is a label that chris wants at his image and in conformity with his techno religion. scan x, a pioneer of electronic live music in europe and laurent garniers sound engineer, provides the first release of the label with the track alien symphony, a piece in the artists purest tradition, a truly sound odyssey revolving around a deviant lead and heady. marcel fengler delivers an aerial remix faithful to the original spirit of the track, but even more hypnotic and captivating. keikari, one of the most promising artists among the new generation of french producers, imposes us his brutal and uncompromising version, while electric rescue, the most prolific french activist through his label skryptom, takes us to the rave with a mental techno that only him owns the secret.

we have reached our tenth reference , something that we are proud of , for wich we have chosen 6 tracks from different artists. side a roger van lunteren present the theme – acid on the lounge floor side entrance, full of slow acid beats with dubby echoes , we continue with nikolay sunak – back in the day when we were together , a deep theme with vocal samplers and all the 90 s u.k. dance reminiscences , we close this side with morales – futurama, created and thought to make you sweat the dance floors. side b nikolay sunak – loner s groove, 4×4 bases , organ chords and riffs that plunge us into deep atmospheres accompanied by a compact base of bass-line and beat boxes , roger van lunteren – care about your future , pure freestyle acid, casual, cool and bubbling , we close this tenth reference with i -vil – repentance , pure 90 s belgium rave , hoover sound , voices and rithims 909 pounding with an hypnotic bass.

dj haus ever-expanding deviant house music empire continues to impress with another installment of house crime, this time committed by szch. the 12inch kicks off with the fast and freaky girl i neva which borders on juke levels of nagging sample chops, before the script gets crumpled up and tossed at the bin with the wonderfully scruffy rave deconstruction of peugeot 106 at sunrise (pingers mix). unconditional (edit) brings something a little smoother to the mix, although that underlying weirdness that comes with house crime releases is still lurking in the wings. ukljucen ti je blutut finishes the ep off in a rowdy yet reflective style long may the strange tale of house crime continue.

brand new glastonbury production duo speakman sound team up with frankie forman for the palliative psychedelic dance stylings of latest single warm. warm follows the breakneck success of debut single in flight which became a top viral track on spotify while being touted by key tastemakers including 6music’s lauren laverne, radio x’s john kennedy, soho radio’s eddie temple morris and radio 1’s huw stephens, monki and phil taggart. the latter commendations led to the brothers being offered a slot on the bbc introducing stage at glastonbury for a ram-packed homecoming. brothers todd and guy, the duo behind speakman sound, spent their childhood in the glastonbury area immersed in music through their father, a guitarist in psych-rock scene including bands such as hawkwind. growing into adolescence against a backdrop of rave culture in somerset shaped the psychedelic tinged future bass sound they create in their studio in north london today. warm is a sonic embrace, a trip into the uterine comforts of music. a rolling kick drum structures it, ostensibly four-on-the-floor, but with syncopated fibrillations, the sound of a heart skipping a beat. with frankie forman’s brilliant, mantra-like vocal and tobie tripp’s sweeping strings, warm reminds us of the comfort we find in music. enveloping in its beauty, it’s the latest majestic entry into speakman sound’s unique and beatific body of work. that the speakman brothers are producers in their own right should come as no surprise. having received a start-up grant for a studio in cricklewood, they have built an artistic hub from scratch and are surrounded by a creative coterie of young musicians and talented artists practicing across film and music in north london where they hold regular late-night jams and parties.

trave is a play on words that mixes the concepts >trance< and >rave< to create a new term which essence is the union of filosofies of the words that create the term. trance and rave go by unwritren precepts that prevail in interpersonal relations and in the own purpose of the actions taken place by its flags: peace, respect, freedom and unity. this is exactly what regal tries to expose with his music.

the second release on andras tongue-twisting label punp. corn opens with a minute of hard-panned stereo banjo a deep bassline close on its boots. dust strikes a more sombre note - the distant bleep of a doof lost in a cloud of red dirt and radioactive fallout. are those rave whistles or geiger counter clicks? seal the doors and take a landcruiser tempo tour of a contaminated atomic test site. high fructose samples from the frozen food isle. hot-music that’s still cold in the middle. all songs written and published by andrew wilson. recorded in melbourne, australia. art by art.

repitch’s latest releases is a full-on acid assault, a distorted analog techno speedwagon driven by label co-founder d.carbone along with panzerkreuz affiliate and rave veteran albert van abbe. side a is composed of two tracks produced by van abbe and paul van ghent under the guise of his most unapologetic acid project penik etteck. recorded between 1998 and 2000, it is a duo of incendiary bangers made for no other purpose than pumping energy into the rave. on the flip side, van abbe’s youngest project datasmok sides with d.carbone for two more tracks ripe with acid basslines, heavily distorted drums, and noisy drones, speeding up the tempo on the first one and slowing it down on the second in order to explore the many dynamic possibilities of raving.

from the twilight zone of rhythm section international comes a new label for 2017: international black. this is the offshoot’s 3rd release this year and the machine shows no signs of slowing down. bradley zero’s ear for new talent continues to pay off as we are introduced to yet another young pair of producers, mallard & lt, going by the name of ‘j deep’. mallard, a 19 yo jazz student who made a big splash with his debut rs intl ep, ‘verte’, returns with a track aimed more squarely at the dancefloor. although hypnotic and ethereal, it packs a punch, with the arrangement and musicality belying mallard’s musical training at trinity college. on the flip side, mallard joins forces with another promising producer who goes by the name ‘lt’ in their collaborational partnership known as j.deep. complex jazz chords swim around 909’s to create an elevating techno roller that climbs and climbs only to give way to sparse rave stabs and ecstatic snare patterns. tried and tested for the best part of a year, these are 2 serious jams, proven to cause dancefloor frenzy.

after a 2 year + hiatus apartment records returns with its tenth release and itÆs first with american dance music producer, chase smith (previously of wt records / r zone / argot). typical of the labelÆs varied approach to styles, across its four tracks ôsending you some lungsö touches on everything from bruising, muscular techno, growling acid house, synth pop, rave and classic, early detroit techno. chaseÆs high end production techniques bring his diverse influences together in seemingly effortless fashion with all music aimed squarely at a heaving, sweaty dance floor.

straight out of south east london and back with his second ep on eartoground, gareth delivers a set of four rave cuts of techno with an additional two remixes from etg mainstay vsk!
tracks included have recently been tried and tested from warehouse dance floors in amsterdam to clubs in london, stuttgart, berlin and buenos aries, all with maximum dance floor effect.
artwork and audio combine to create an escapism from our troubled times all the while looking to a hopeful vision of the world we live in.
black vinyl with bespoke, special edition artwork.
being played and supported so far by the likes of answer code request, marcel dettmann, dax j, etapp kyle, stranger, remco, pfirter, violent blondes romek, takaaki itch, joe far, ben gibson.

home recorded above a lawyers office and next door to a brothel, the retrospective is lead by the earth shattering digi stepper rock steady. originally intended for an abandoned dub album, rock steady and fantasy dub were saved from the cutting room floor by australian cd-only compilations on creative vibes and vital collective clan analogue, while green river was never released. now demanding wider appreciation, the dubs finally find union with green man’s new york hip hop/dancehall style, lifted from his second solo album the blue hour vol. 3: deep blue. humbly excelling in all electronic forms, rantzen helped guide techno-rave duo itch-e & scratch-e through the 90s with paul mac. winning the inaugural best dance release category at the 1995 aria awards, mac thanked all of sydneys ecstasy dealers, without whom this award would not be possible, while rantzen stayed at home. the two would also operate incognito as boo boo & mace and screensaver, often collaborating on looney dubs with sheriff lindo - the master of seismic shocks down under. rantzens earliest work stretches back to pelican daughters, an ensemble who proliferated industrial-leaning ambient and tape loop experiments

as comfortable being played after manuel göttschings e2-e4 as right before a terekke lo-fi house anthem, it is laced with the melancholy of an early morning post-rave comedown. yet for all the references and name-checking, its a record that is hard to compare to anything else, past or present.

valcrond video continues its devilish run of form with this new single from fallbeil, a project that has previously been spotted on new york haunted, return to disorder and mannequin. that should give you an idea of the kind of deviant sonics we re dealing with here, skirting around industrial, electro and techno with limber and dirty hardware jams for the sinister dancefloor. rolling dutch clearly nods towards the hague way of doing things, all eerie pads, gnarly acid lines and rasping drums, while on the flip side rave on plastic pushes the bubbling monosynth action to the front of the mix.

x-coast helps to launch brand new label underthesea. the new york-based artist delivers three fresh original cuts complemented with a remix by berlin’s versatile talent borrowed identity. the ep presents equal parts of groove and energy characterised by x-coast s 90’s rave inspirations with a pulsating swell combined with seductive female vocals just like a mermaid’s allure. on the flip-side, borrowed identity illustrates his stripped down rhythms for a well-rounded 12-inch.

brooklyn s effective weapons return with another useful weapon for your record box, -tear gas- includes four relentless tracks bristling with techno-industrial carnage. dark s&m flavor abounds on the lead track -controversy-, a powerful- slow motion burner with super sleazy samples and ultra-heavy rave sounds. 909 workout techno makes up -dominator- which is based around an extraction from the klinik. the b side includes -bun hope!- and -take a pil- which also edit freely from industrial 80s jams and inject them with the ew flavour.

next up on bucharest’s raw tools label is börft co-founder, johan sturesson, also known to be part of the swedish electronic trio, frak. the four-track ep consists in music from the private vaults of the producer, that has been kept secret for almost 20 years. rough and gritty, his analogue approach and stripped down sound define the record. starting with the rave sounding “uncle owl” and then moving to a more darkly atmospheric title track, kord shows his muscles on the flipside with some more techno infused and bass driven dancefloor cuts.
always under the radar, johan has been operating raw electronics since the late 80’s, developing his distinctive sound. as kord, he has released on several swedish labels, including his own imprint. together with jan svensson and björn isgren as frak, they have released music on labels such as kontra musik, lux rec and midlight records.

uk house & techno heavyweights dusky return to their 17 steps label with the classic house indebted ‘square miso’, picking up swiftly where this summer’s hugely successful ‘cold heart’ ep left off - the lead track an ever present in gerd janson’s summer dj sets.
already recognisable to many from dusky’s festival sets as well as jackmaster’s recent circo loco terrace recording, ‘square miso’ draws on the swing of classic nyc house with soulful, cut-up vocal samples and tightly programmed beats, whilst paying tribute to the ‘90s italian house classics with its distinctive piano melodies - with a dash of shades of rhythm-era uk rave for good measure. as well as the club-ready original, a beat less piano and strings ‘reprise’ is also included.
a darker, detroit-nodding club tool, ‘lf10’ blends heavy-hitting stabs, atmospheric melodic textures and house grooves. an immersive roller, like ‘square miso’ it serves as another example of the duo’s ability to blend different influences into unique hybrids.
with 2017 releases from b.k.r & jamie jones, christian piers, bwana and kiwi, dusky’s 17 steps has become an increasingly prolific outlet of forward thinking house and techno - with support from gerd janson, midland, len faki, maya jane coles, tiga and george fitzgerald among others.

from deep within the uk underground special things can emanate without warning. this is exactly what happened here, a special one-off white label remix of one of disco’s biggest stars by one of the founding members of possibly the most influential electronic music crews in the land? yep.
originally released as a promo-only white label, this remix has been wreaking havoc on dancefloors over the course of the summer and has featured heavily in the hessle audio crew’s dj sets. gaining rave reviews on sites such as ra and with people literally passing out with excitement over this very special remix / re-edit it felt only right to give it a reissue on the label that serves as loleatta holloway’s spiritual home - salsoul records. the hype is real on this one, do not sleep!

marlon hoffstadt is a rising star as both a dj and producer, effortlessly joining the dots between classic rave and the future of techno. taking a break from running his retrograde label, marlon has cooked up observing the known for ransom note records. over three tracks of warm synths, bubbly acid and emotional chord progressions, the ep sees marlon reimagining house music for todays dancefloor, taking the passion and energy of ‘80s chicago and giving it the production heft of 2017 berlin. opener ‘floating’ is a piano house classic, shot through with chimes and 303 gurgles, nostalgic for a golden age whilst optimistically looking forward. this is peak time house for dancefloors with heart. it’s followed by the computerised funk of ‘arp+’, an acid house roller that teams jacking 303 bass with mournful strings, as sorrowful as it is uplifting. b-side opener ‘batavus’ is a driving tribute to detroit, kevin saunderson-esque keys stabbing over soaring washes of synth, the sound of late nights and starry eyes. london-based scott fraser has added a remix of arp+ that takes marlons classic techno to darker lands, with snapping electro drums and deliberately seasick bass pressure ramping up the claustrophobia. this mix has already been causing huge damage when dropped on dubplate at fraser’s feted body hammer night.

the artist known as g-23 continues his journey to the head of the gum under the schooldesk underground with this release on torn hawks valcrond video. this multi-faceted italian producer also deploys weirdo sounds under the name secret rave and strange audio dreams, often on his own label art-aud. he has also released under the alias moscow death disco on helena hauff s return to disorder. remixes of access code from valcrond affiliates decor and mr. husk start off each side. both will pound and smear club meat all over the countertop. lets pound those veal cutlets so thin you ll be able to see through them like flesh-pink stained glass. a2 brings us the sleazy slouch of bleep shots. it sure sounds like a crew of developmentally impaired bullies out to steal your lunch money, so hold on to your fanny pack. finally, the title track closes things out in a brilliantly uncomfortable way. ars trip is a headache you d pay to have.

first techno ep of the young talented producer raer, including a ngly remake under the glyn moniker. an esoteric journey inside an endless warehouse party weaving between love and hate. these rave tools are fit to wake the clubs up!

the forecast series returns to them with another four track various artist compilation of broken, rave minded techno. perc it s all about mannis tune for me here. tzusing lag and deapmash one 4 me. sick! endlec my fave is the manni dee but the rest also are dope. rebekah already playing promaja - huge track and the others are great too